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“Birdies and Booties" by Fay Jones
“Birdies and Booties”, (2021) acrylic on silk mounted on plywood; 33” x 25”, Unframed. Fay Jones is an American artist, based in Seattle, Washington. A large number of her works are exhibited in public places in the Pacific Northwest, including a mural in the Westlake Station of the Downtown Seattle Transit Tunnel and a painting in McCaw Hall. A 1986 retrospective organized by the Boise Art Museum also showed at the Seattle Art Museum. Her work conveys the intimacy of mind, emotion, and spirituality – and echo a tremendous sense of humanity. The pieces meld figures, animals and symbols to conjure up existential meaning of human experience She is represented by James Harris Gallery, Seattle, and Russo Lee Gallery, Portland.
Value: $5,200.00
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"Delft Ear" by Warren Dykeman
"Delft Ear" (2017) Acrylic and graphite on canvas, 24"x18" Unframed. Artist statement: "My paintings and drawings are mixtures of images from sketch books, hand lettering, digital art and collage. I use pencil, acrylic, digital printing and computer projections to create these images. The figure, hand lettering and typography are the major themes of my work. I am intrigued by Folk Art, Primitive Art and all forms of Graphic Art from information design to corporate identity systems. I want my work to contain an awkwardness that has a rhythm between shape, contrast, color and inaccuracy." Courtesy of Studio e gallery.
Value: $3,000.00
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| 203 |
“Duwamish Perch” by Gene Gentry McMahon
"Duwamish Perch" (2021) Flashe on archival paper, 23.75" x 20.75", mock gold leaf frame. The painting features a Siren like figure as watcher, in some distress at the EPA's suggested reduction in the amount of cleanup planned and promised for the Duwamish, Seattle's only river. Gene Gentry McMahon is a distinguished Northwest artist known for narrative paintings that combine subtle humor with wry social commentary. Her work has been exhibited throughout the United States, in Mexico, Portugal and China, and is included in numerous public and private collections. Artist statement: "My work is informed and fueled by the evolving cultural, social, and political milieu of our times: by cultural manners and mores, often with a specific interest in fashion, costuming, and masking, and in how we choose to present ourselves. Most recently, my focus has expanded to include a passionate interest in and concern for the physical world of our present environment: the environment resulting from the manners, mores, and politics of our culture."
Value: $2,500.00
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| 204 |
"Kelley Girl" by Joe Max Emminger
"Kelley Girl" (2012) is acrylic on paper, 33" x 47" framed (black). Joe Max Emminger has been a part of Seattle's art world for many years and has a broad and devoted following. He has had numerous solo shows at Seattle's leading galleries and is one of Seattle's most recognized painters. A recent summer he had a solo retrospective show at the Bainbridge Island Museum of Art. His work draws on imagery from his life and his family and is a distillation of what matters most rendered in sophisticated simplicity. He is represented in Seattle by Linda Hodges Gallery.
Value: $2,500.00
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| 205 |
"Never Look Back" by Peggy Washburn
“Never Look Back” (2011), mixed media / encaustic, 12”X 24” unframed, was part of series from 2011 based on the Myth of Orpheus and Eurydice. Peggy Washburn is an interdisciplinary artist and educator whose work has been acquired by permanent collections including the Bibliotheque Nationale
Value: $1,200.00
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| 206 |
"The Disturbance of Seeing Double" by Timothy Siciliano
"The Disturbance of Seeing Double" (2020) Flashe, Kremer Pigments, acrylic medium,on paper, 28" x 34", framed (natural wood). Seattle based artist, Timothy Siciliano, is noted for his powerful paintings rendered in a gorgeous palette of saturated colors. His paintings force an unconscious reckoning with the transgressive aspects of our inner selves, those aspects we would rather turn away from but that nonetheless beckon us.
Value: $1,800.00
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| 207 |
"Indigo" by Robert Hardgrave
"Indigo" (2018) Acrylic drawing on paper. 16” X 20” black frame. Robert Hardgrave has made a significant contribution to visual arts in the Pacific Northwest for over a decade. Hardgrave has exhibited in numerous solo and group shows in Seattle, Los Angeles, San Francisco, Denver, Chicago, New York, and Madrid, Spain. Locally, Robert is a member of the Duwamish River Residency, and his work is part of the permanent collections of Microsoft, Starbucks, King County and the Achenbach Foundation for Graphic Arts. In March 2019, Robert’s work was exhibited at the Swinton Gallery in Madrid.
Value: $1,000.00
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| 208 |
"Plenty Roses" by Julie Paschkis
"Plenty Roses" (2019) Gouache and Ink on Paper, 17" x 17", framed: 24" X 24" (black). Julie Paschkis is a painter, designer, award-winning illustrator and writer of children's books. She likes to make things: paintings, illustrations, fabric designs, paper cuts, and books. Her love of pattern, folk art and storytelling is evident in all of her artwork. She has illustrated more than 25 books for children, many of which she has also written. Her latest one, "The Wordy Book" written and illustrated by her, earned her a stellar review in the New York Times, describing it's potential of becoming a classic, comparing it to the classic children's book, "The Little Prince." Courtesy of i.e. gallery.
Value: $1,100.00
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| 209 |
"Doubt Thou The Stars Are Fire" by Kenneth Susynski
"Doubt Thou The Stars Are Fire" (2015) Oil on canvas, 34"x30". Kenneth Susynski presents a unique, hybrid style of figurative expressionism blended with the abstract in narrative composition that stress an interpretation of beauty, with a hint of wit, exploring combinations of historical and contemporary cultural themes. Now a Santa Fe artist, his paintings are currently being exhibited in galleries in Denver and Santa Fe.
Value: $2,100.00
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| 210 |
Ceramic Painted Mask by Tip Toland
Fired ceramic painted mask; Stoneware clay, 8" h x 5" w x 4 " d. Tip Toland is a ceramic artist whose work is subtly autobiographical: within a frozen moment, teeming with humanity, exists a vessel for her thoughts and feelings. Her accolades include a Visual Arts Fellowship from the National Endowment for the Arts, Artist-in-Residences in Wyoming, Oregon, Montana, and Washington, an Artist Trust GAP Award, and the Virginia A. Groot Foundation Grant, among others. Her work has been shown in numerous galleries, including Nancy Margolis in New York City, Pacini-Lubel in Seattle, the Renwick Gallery of the Smithsonian, Kohler Art Center, and a promised gift to the Metropolitan Museum of Art. In 2019 she was the Grand Prize Winner of the Koreans International Ceramic Biennale. In Seattle she is represented by Traver Gallery.
Value: $800.00
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